Tag Archives: Creativity

Ed Catmull’s thoughts for managing a creative culture

Pixar's Ed Catmull Creativity Inc.

From Ed Catmull’s Creativity Inc., 28 ideas on how Pixar engineers and sustains a creative culture.

A culture of innovation is a culture of creativity, enthusiasm and daring. Not a place where efficiency reigns and where mistakes are to be avoided. It also needs constant nurturing, it isn’t a “set-it-and-forget-it program” that consultants come in and help you create.

Last week I reviewed Ed Catmull’s fantastic book Creativity Inc., where I mentioned a few key ideas that stood out for me. Of course, I only mentioned the ones that I thought were interesting, but the last chapter of the book is a sort of summary of how Pixar engineers and sustains creativity.

Here then are some firestarter ideas for you to chew on straight out of Mr. Catmull’s book:

  • Always try to hire people who are smarter than you. Always take a chance on better, even if it seems like a potential threat.
  • If there are people in your organization who feel they are not free to suggest ideas, you lose. Do not discount ideas from unexpected sources. Inspiration can, and does, come from anywhere.
  • It isn’t enough merely to be open to ideas from others. Engaging the collective brainpower of the people you work with is an active, ongoing process. As a manager, you must coax ideas out of your staff and constantly push them to contribute.
  • There are many valid reasons why people aren’t candid with one another in a work environment. Your job is to search for those reasons and then address them.
  • Likewise, if someone disagrees with you, there is a reason. Our first job is to understand the reasoning behind their conclusions.
  • Further, if there is fear in an organization , there is a reason for it— our job is (a) to find what’s causing it, (b) to understand it, and (c) to try to root it out.
  • There is nothing quite as effective, when it comes to shutting down alternative viewpoints, as being convinced you are right.
  • In general, people are hesitant to say things that might rock the boat. Braintrust meetings, dailies, postmortems, and Notes Day are all efforts to reinforce the idea that it is okay to express yourself. All are mechanisms of self-assessment that seek to uncover what’s real.
  • If there is more truth in the hallways than in meetings, you have a problem.
  • Many managers feel that if they are not notified about problems before others are or if they are surprised in a meeting, then that is a sign of disrespect. Get over it.
  • Careful “messaging” to downplay problems makes you appear to be lying, deluded, ignorant, or uncaring. Sharing problems is an act of inclusion that makes employees feel invested in the larger enterprise.
  • The first conclusions we draw from our successes and failures are typically wrong. Measuring the outcome without evaluating the process is deceiving.
  • Do not fall for the illusion that by preventing errors, you won’t have errors to fix. The truth is, the cost of preventing errors is often far greater than the cost of fixing them.
  • Change and uncertainty are part of life. Our job is not to resist them but to build the capability to recover when unexpected events occur. If you don’t always try to uncover what is unseen and understand its nature, you will be ill prepared to lead.
  • Similarly, it is not the manager’s job to prevent risks. It is the manager’s job to make it safe to take them.
  • Failure isn’t a necessary evil. In fact, it isn’t evil at all. It is a necessary consequence of doing something new.
  • Trust doesn’t mean that you trust that someone won’t screw up— it means you trust them even when they do screw up.
  • The people ultimately responsible for implementing a plan must be empowered to make decisions when things go wrong, even before getting approval. Finding and fixing problems is everybody’s job. Anyone should be able to stop the production line.
  • The desire for everything to run smoothly is a false goal— it leads to measuring people by the mistakes they make rather than by their ability to solve problems.
  •  Don’t wait for things to be perfect before you share them with others. Show early and show often. It’ll be pretty when we get there, but it won’t be pretty along the way. And that’s as it should be.
  • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody.
  • Be wary of making too many rules. Rules can simplify life for managers, but they can be demeaning to the 95 percent who behave well. Don’t create rules to rein in the other 5 percent— address abuses of common sense individually. This is more work but ultimately healthier.
  • Imposing limits can encourage a creative response. Excellent work can emerge from uncomfortable or seemingly untenable circumstances.
  • Engaging with exceptionally hard problems forces us to think differently.
  • An organization, as a whole, is more conservative and resistant to change than the individuals who comprise it. Do not assume that general agreement will lead to change— it takes substantial energy to move a group, even when all are on board.
  • The healthiest organizations are made up of departments whose agendas differ but whose goals are interdependent. If one agenda wins, we all lose.
  • Our job as managers in creative environments is to protect new ideas from those who don’t understand that in order for greatness to emerge, there must be phases of not-so-greatness. Protect the future, not the past.
  • New crises are not always lamentable— they test and demonstrate a company’s values. The process of problem-solving often bonds people together and keeps the culture in the present.
  • Excellence, quality, and good should be earned words, attributed by others to us, not proclaimed by us about ourselves.
  • Do not accidentally make stability a goal. Balance is more important than stability.
  • Don’t confuse the process with the goal. Working on our processes to make them better, easier, and more efficient is an indispensable activity and something we should continually work on— but it is not the goal. Making the product great is the goal.
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Practice frame shifting to spot untapped innovation opportunities

drawing on the right side of the brainPerception separates the innovator from the imitator. To see anew, learn to set aside preconceptions by exploring new perspectives.

How might we shift our perspective and explore what we might be missing? This is a common question I ask myself all the time because I want to overcome our human tendency to bring our preconceived notions with us whenever we are attacking a problem; therefore limiting our view of potential alternatives.

How do we overcome that?

Innovation is more a matter of attitude and perspective than process. I’ve written previously that there are four ways we can discover new insights. Insights are unexpected shifts in the way we understand how things work, and one way to get insights is by shifting our frame.

Ed Catmull makes a poignant point in his book, Creativity Inc., that Pixar has avoided stagnation because they’ve created mechanisms that force them to constantly fight their own mental models, and put Pixar’s collective heads in a different frame of mind.

The most innovative leaders are reframers, and unleash innovation in their organizations by asking new questions, and/or immerse themselves in the environment they wish to understand. I’ve written extensively about asking better questions to get better answers, here I’ll extend on that to include immersion.

But first…

…

Creativity Inc.: what it takes to build and sustain a culture of excellence

I just finished reading the book Creativity Inc. by Ed Catmull, this is my review…

Unlike books written by consultants about how wonderful the companies they study are, and how they have reverse engineered their formula for success into repeatable soundbites, Creativity Inc. was written by someone who was in the trenches; from the beginning. Written by Ed Catmull, co-founder and President of Pixar, Creativity Inc. is a first hand tell-all about what enables Pixar to do its thing: successfully turn original ideas into blockbusters, one after another.

Mr. Catmull’s motivation for writing this book stemmed from a simple question: why do successful companies fail? …

What’s your question?

If you’re planning on designing your own wedding, we’ve got a treat for you for you today! Bronte Dwyer, a stellar wedding stylist at Foreva Events in Australia, is sharing her secrets—everything it takes to make the wedding day magical. Paired with ethereal photos by Ivy Road Photography from a recent styled editorial, we’re certain you’ll walk away inspired and prepared to tackle your wedding design with newfound knowledge in your pocket! GWS out…over to Bronte!

Designing a wedding is not a small job. It takes creativity, boldness and an eye for detail. The truth is, every single detail of your wedding will contribute to the overall look and feel of your wedding. Details such as the colour of your plates, the texture of your flowers and the shape of your chairs are all important pieces of a puzzle which together will create the overall picture of your wedding.

So how do you make sure all of your wedding elements work together? We have a few tips and tricks we want to share with you, to make styling your wedding easy. We hope that by the time you finish reading you will feel confident to get started designing the wedding of your dreams, but before that, you better check out these bachelorette experiences.

Choose the Right Colour Palette

 

Your colour palette is one of the most defining decisions your will make when it comes to designing your wedding. Start by thinking about what colours you and your partner love. Look at your wardrobe, what colours do you like to wear? Look at your furniture and home styling, which colours stand out? Look at the pictures you’ve saved of weddings you love and notice the colours. Do you prefer lighter, soft colours or darker, strong colours?

Choosing the right colour palette for your wedding will determine the overall look and style of your wedding. Sometimes it’s easier to to choose one colour you love, then pair it with complementary colours. When pairing colours, make sure you don’t go overboard. You might be thinking, “But I love pink, purple, orange, green and blue”. Great, but let’s try to narrow that down for your wedding. Try starting with one central colour and two to three complementary colours to pair with it.

Remember, it’s not just the obvious elements like flowers and stationery that bring colour into your wedding. Elements such as the background of your venue and the furniture materials used will also contribute to your colour palette. For example, if your wedding is in an outdoor York Maine wedding venue you’ll have green or blue with trees and the sky, and if it’s inside the colour of the walls will become a part of your colour palette as well. It’s also important to think about the tones of materials you would like to use. What colour metal, what type of stone, what colour wood will you use? Where possible, try to incorporate only one tone of wood, metal and stone and stick with that material throughout your wedding design.

Remember to consider the contrast of tones in your colour palette. Unless you’re going for a completely light look, we’d recommend having at least one dark or medium tone colour in your palette in order to have contrast. This will bring the lighter elements to life.

Finally, it’s important to let your colour palette guide your decision making. Before deciding on any element of your wedding, put it through the filter of your colour palette to ensure it will work with your overall style. If you really want to have an eye for detail, don’t include any element that doesn’t fit with your colour palette. You’ll be amazed at how applying this one simple step will help your wedding design stand out.

5 toxic assumptions businesses make about people

undertstanding human behaviorThough business leaders say they want innovation, the vast majority hate the concept of creativity.

But as much as us innovators are fed up with this, the truth is that it isn’t the executives fault because people are wired to reject uncertainty; no matter how smart they appear to be. Fears and biases stand in the way of a boss that talks a good talk, but doesn’t walk.

But, there is a flip side to all of this: business-as-usual, no matter how predictable it may feel, is littered with biases too. …

Are all innovators alike?

Are all innovators alike?

Nuances and details are lost in the sea of bullshit that is media and human irrationality, and an outcome is one of the most dangerous things humans do: build people up to more than they probably are.

Sure, the world needs heroes that carry a positive narrative that others can latch on to and get inspired to make a story of their own. My heroes are Michael Jackson and Michael Jordan. You have your own, for your own personal reasons.

And just like you and I have our own motivations for why we do something, what we do and how we do it; so do other potential innovators.

Truth is, that in a world where people are fitted into boxes, everyone has their own creative style. Some people are more systematic than others, and some of us are more intuitive. I believe that failing to understand this distinction between people is a huge innovation obstacle!…

How to filter me-too ideas and leave small thinking behind

innovation evaluating between big ideas and small This is a three part post on how to leave small thinking behind. In the first post, I showed you a simple technique for coming up with radical ideas. Here I talk about how to evaluate ideas so they don’t fit into the “me-too” territory. On the third post I’ll tell you how to determine which ideas might work.

We think too small, like the frog at the bottom of the well. He thinks the sky is only as big as the top of the well. If he surfaced, he would have an entirely different view. – Mao Tse-tung

I know a handful of people that work in the “innovation/entrepreneurship space” who talk a good talk but when it’s time to put the wheels on the road, more times than not, they revert to small thinking. Heck, I’ve even heard people outright say they think big but when challenged further they are shocked to their bones.

This isn’t an isolated scenario, most everyone is like this. Heck, how many companies plaster their physical and digital (Facebook) walls with inspirational quotes, but when you look inside you see that their actions don’t reflect their wishful thinking.

When you’re looking for innovative ideas that will truly differentiate your company and have major market impact, you must set the yardstick high and keep it high. You may think you’ve left small thinking behind, but often, even if you are benchmarking outside your industry, challenging the status quo of your business, or radicalizing your current strategy, small thinking will creep in. It most always does.

Why?…